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Sutthirat Supaparinya

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Sutthirat Supaparinya
(Born in Chiang Mai, lives and works in Chiang Mai, Thailand)



Photo by Jeremy Samuelson


Sutthirat earned a BFA in painting from the Faculty of Fine Arts at Chiang Mai University and a postgraduate diploma in Media Arts from Hochschule Fuer Grafik und Buchkunst in Leipzig, Germany.
The artwork of Sutthirat Supaparinya's encompasses a variety of mediums such as installation, objects, still photos and moving images. With her artistic practice and further research to conduct, she interprets the public information to question, and reveals its structure that is affective upon her and the viewer as national/global citizen. Her recent projects focus on the history and the impact of human activities giving to the other existence and the histrocial and cultural landscape within.

Museums and galleries that have featured Sutthirat's works include Hiroshima City Museum of Contemporary Art, Mori Art Museum, Japan, Jim Thompson Art Center, Maiiam Contemporary Art Museum, Gallery Ver, Thailand, Queensland Art Gallery and Sherman Contemporary Art Foundation, Australia, the Solomon R. Guggenheim Museum, USA, Singapore Art Museum and ArtScience Museum, Singapore, Kuandu Museum of Fine Arts, Taiwan, Hong Kong Arts Centre, Hong Kong, Centre for Contemporary Art Ujazdowski Castle, Poland, along with international festivals and biennials such as Koganecho Bazaar 2011 in Yokohama, Yebisu International Festival for Art & Alternative Visions 2012 and 2018, Japan, EVA International [Ireland's Biennial] in Limerick City, Ireland, 12th Gwangju Biennale, Gwangju, South Korea, Cairo Biennale 13 in Cairo, Eygpt and Biennale Jogja Equator #5, Yogyakarta, Indonesia.

As a visual artist in the art community of Chiang Mai, she has found and is operation Chiang Mai Art Conversation(CAC) since 2013. Most recently, she was also the director of Asian Culture Station (ACS) in the year of 2016-19, when CAC partnered with the Japan Foundation Asia Center to establish the cultural station in the heart of Chiang Mai. CAC aims to promote contemporary art in Chiang Mai while ACS activated Asian culture and to promote its network.




Residency: September 6 - October 15, 2019
Supported by: 2019 The Asia Center Fellowship Program



When Need Moves the Earth, video, 2014


When Need Moves the Earth, video, 2014

2019-9- 6

Aron Landahl

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Aron Landahl
(Born in Sweden 1984. Lives and works in Uppsala, Sweden)




Aron Landahl was raised on the island of Gotland in the Baltic sea. As an illustrator, Aron Landahl's images have been seen in various magazines throughout Sweden. Its setting often involves elements from the nature and the quieter dwelling with some distances away from the peak of action. The mood is somewhat eerie. Hatching with steel pen and ink creates misty details for the viewers to observe. Landahl plans his debut to publish a book in Sweden as the illustrator and author of Dropp Dropp, a horror story for three-year olds.

When he was a child, he found a book at the local communal library called 100 views of Mt. Fuji with magnificent images within. Now, some decades later, he travels to Japan to further study the world of Hokusai and his works of art. With this, the artistic examination is to develop the project 100 views of Karlsö, a local application of Hokusai's great works. The centre of these views will instead be the islands of Karlsö, situated in the Gotlandic area where Landahl was raised. These islands are regionally famous for their unique cakelike shapes attracting birds and plants of rare kinds.

Website




Residency: September - November, 2019
Supported by: Iaspis


Island of Karlsö ©Aron Landahl


Ophelia's shadow theatre, Poster illustration ©Aron Landahl


Editorial Illustrations ©Aron Landahl

2019-9- 2

Charlott Markus

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Charlott Markus
(Born in Sweden, works and lives in Amsterdam, The Netherlands)




Charlott Markus is a Swedish visual artist living and working in Amsterdam. After graduating from the Photography Department of the Gerrit Rietveld Academy her works has been shown in numerous solo and group exhibitions throughout the Netherlands and abroad. Markus constructs still-lifes and arrangements that predominantly end up as photographic series and as site-specific spatial pieces. Markus is the recipient of the Proven Talent grant from The Mondriaan foundation in 2016 supporting her work for four years. The way Markus works is not only investigating space, color and form but an indirect investigation into relations and structures (often mixed with her own biography). Aside from being a visual artist Markus occasionally organizes events and curates exhibitions with themes close to her own artist practice.

Her solo shows includes "Markus&I" (Weekender Trailer Show, Unseen Photo Fair, Amsterdam, 2014), "Live at: Matter of Gradation" (Intelligentsia Gallery, Beijing, 2015), "Solitaire" (Probe Project Space, Suze May Sho, Amsterdam, 2017). Her works are also exhibited in the group shows including "Collective Thinking, For Freedoms" at Aperture Foundation, NY (2017), "Who are we again?" at Arti et Amicitiae, Amsterdam (2018).

Through the residency at AIT she will develop new ways of seeing and to make an in-depth acquaintance with history and symbolism within the fields of Japanese textiles, traditions and within the daily (art) life of a contemporary Japan.
Website





Residency: January 9 - April 4, 2018
Co-organized by Mondriaan Fonds
Event: AIT ARTIST TALK #75 "Indefinite ways of actual seeing"
Date: Tuesday, February 19, 2019
Time: 19:00 - 21:00 (18:30 Door open)
Venue: Daikanyama AIT Room


Matter of Gradation #II, 2015, Felt, diverse textiles, drawing paper, calligraphy silk, video projection, wood / Installation
©Charlott Markus




Partition #3 (Markus&I), 2018, Oak wood, ink print, silk thread, various textiles,
©Charlott Markus




Partition #4 (apparition), 2018, 30 secondhand lace curtains, 2 self-made textile pieces, aluminium tubes, cotton wire
©Charlott Markus




Solitaire, 2017, Wood, paint, textile, plastic, LEE filters / Installation - photography
©Charlott Markus



2019-1- 9

Florence Dwyer

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Florence Dwyer
(b.1992 in London, lives and works in Glasgow)




Florence Dwyer is an artist who currently lives and works in Glasgow, Scotland where she graduated from The Glasgow School of Art in 2014. Dwyer's practice has previously been informed by research into the politics behind the process of building, making and inhabiting and predominantly takes the form of ceramics, textile pieces or furniture. Dwyer is particularly interested in the design of domestic settings and different models of living and my work predominantly takes the form of ceramics, textile pieces or furniture, and researching the history of the people, especially in relation to craft, industry and labour practices and thinking about political relevance of this in relation to everyday life, in particularly the domestic realm. This has previously involved working rigorously with archives and within factories themselves to explore lesser known stories from the ground up. The work then usually manifests through drawing connections with materials which feel relevant to the project, investigating their origins and reacting to their properties.
Her artworks have been previously shown at the numerous exhibitions such as "I remain Yours" (The Tenement House, Glasgow, 2018), "Village College" (The Lighthouse Glasgow, 2018), "Reel Meal" (David Dale Gallery Garden, 2017). Dwyer is a recipient of the following major awards; Inches Carr Craft Award (2018) and Glasgow Life Visual Arts and Crafts Mentoring Award. (2017-18)

For the first part of the residency Dwyer will look in to the design and social impact of Nagaya, row houses created in the Edo period as living spaces for the common class. Residents within the same building lived in close proximity to each other, creating a sense of community at a time of high density population growth in the capital, to think about how craft is ingrained in these domestic spaces and how the cooperation mentality of the present day Japanese society may have stemmed from these living conditions in the Edo period. In Arita, she will interview potters who work in different production sites, explore the workers relation to ceramics outside of the factory/studio realm.
Website





Residency: January 9, 2019 - March 19, 2019
Supported by: The Agency for Cultural Affairs Government of Japan in the fiscal 2018
Event: AIT ARTIST TALK #76 "Greenware"
Date: ednesday, March 20, 2019 / 19:00 - 20:30
Venue: OLDHAUS, Shibuya-ku, Tokyo

Residency Programme|Report & Interview: Download (PDF/1.4MB) Edited by Ben Davis
Report: RealTokyo Culture Review Site: AIT ARTIST TALK #76 "Greenware"


Detail of I Remain Yours, objects collected, donated and borrowed from Eliz Murphy, Annette Rauf,
Jane Sutherland and Margaret Watt, 2018
Photograph by Malcolm Cochrane
©Florence Dwyer




I Remain Yours, objects collected, donated and borrowed from Eliz Murphy, Annette Rauf,
Jane Sutherland and Margaret Watt, 2018
Photograph by Malcolm Cochrane
©Florence Dwyer




Making the Bed, Laying the Table, Glasgow Sculpture Studios, 2016
Works made in collaboration with Simon Worthington and Katie Schwab
Photograph by Max Slaven
©Florence Dwyer




Home-ware, Tufted Rug, 2018
Photograph by Malcolm Cochrane
©Florence Dwyer



2019-1- 9

Ylva Carlgren

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Ylva Carlgren
(b.1984 in Luleå. Lives and works in Stockholm)




Ylva Carlgren works with non-figurative watercolor painting. The work is experimental and systematic. Through a meticulous and controlled layering technique, fields of color are gradually charged with light, manipulating the perceptual field. The work is an exploration of the limitations of her medium. It is a process of perfection where the artist's practice becomes and end in and of itself. Relinquishing any and all mimetic pretension, Carlgren creates a reduced visual language characterized by presence and stillness.

Carlgren holds an MFA from Valand School of Fine Arts in Gothenburg, Sweden. She is the recipient of grants from the Swedish Arts Grants Committee, the Royal Institute of Art in Stockholm and Helge Ax:son Johnson Foundation.
She has exhibited in solo and group shows such as "300 Layers" (solo exhibition at Gallery Steinsland Berliner, Stockholm, Sweden, 2018), "The Shadows' call" (solo exhibition at Gallery Steinsland Berliner, Stockholm, Sweden, 2016), and "In Light of Absence". (duo exhibition at Market art fair, Stockholm, Sweden, 2017)

Website: Ylva Carlgren



Stay: September 18 - December 15, 2018
Co-organized by IASPIS



Black square on grey (watercolor on paper, 50 x 50cm, 2017)


White square on black (watercolor on paper, 50 x 50cm, 2018)


In light of absence (6) (watercolour on paper, 73 x 53cm, 2016)


Installation view (Galleri Steinsland Berliner, Stockholm, 2018)

2018-9- 3

"Tokyo A La Carte −The Backers Foundation and AIT Residence Programme (The Bar) Memories of 10 years"

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Commemorating 10 years of the residency programme
"Tokyo A La Carte
−The Backers Foundation and AIT Residence Programme (The Bar) Memories of 10 years
"

August 24th, Friday - September 1st, Saturday, 2018 *Closed on August 26th and 27th
TOMIO KOYAMA GALLERY / ShugoArts / Taka Ishii Gallery (Roppongi)

A La Carte
(Exhibition image visual)
Photo: Miti Ruangkritya (2017 resident artist, Thailand)
Design: Yasutaka Fukuoka

 

Press Release Japanese: Download(PDF / 3.6MB)/English: Download(PDF / 3.2MB)




 

− Visioning Tokyo by 20 Artists for the past 10 years

The Backers Foundation and Arts Initiative Tokyo is pleased to announce the coming exhibition, "Tokyo A La Carte -The Backers Foundation and AIT Residence Programme (The BAR) Memories of 10 years" from August 24th to September 1st at three venues, TOMIO KOYAMA GALLERY / ShugoArts / Taka Ishii Gallery in the complex665 building centrally located in Roppongi, Tokyo.

Since 2007, The Backers Foundation and Arts Initiative Tokyo (AIT) have been collaborating on the Artist-in-Residence Programme (The BAR) and invited a total of 20 emerging artists from 15 countries across Americas, Europe, Africa and Southeast Asia to support their artistic research and production in Japan.
The key characteristic of The BAR is that it is collaboratively organized between members of The Backers Foundation, business experts, and AIT, a non-profit organization specialized in contemporary art. With support from art galleries in Tokyo, the programme created opportunities for each of the artists to present new works produced during their stay along with previous works. The works have been partially collected by The Backers Foundation.
In its 12th year, to commemorate the completion of the programme, the exhibition "Tokyo A La Carte -The Backers Foundation and AIT Residence Programme (The Bar) Memories of 10 years" showcases various works by 20 artists in multiple venues and with generous support from TOMIO KOYAMA GALLERY, ShugoArts and Taka Ishii Gallery.

Through their works and artistic viewpoints, The BAR has learned about the complex histories of the artists' countries and the various trajectories that extend to the current state in today's diverse landscapes where these artists live and work. Originally from Afghanistan, Khadim Ali came to Japan in 2007 from the Hazara ethnic group who are native to Central Asia. His home country remains in a state of tension and the landscape of Bamiyan Valley remains as testimony to the tragic destruction of the two standing Buddha statues. Duto Hardono and Syagini Ratnawulan came over from Indonesia in 2011, after the disastrous earthquakes and the aftermaths from the Fukushima nuclear power plant, in response to the situation with their own memory from the earthquakes Indonesia previously suffered. A Guatemalan artist Alberto Rodríguez Collía from 2013 and a Kenyan artist Gor Soudan from 2014, both have undergone oppression and struggles in their artistic expressions and they joined the programme to pursue a sense of freedom in order to expand their passion towards research activities back in their countries. In 2016, Krishnapriya Tharmakrishnar from Sri Lanka took her very first journey outside of her country. She has had an extraordinary life experience in which she lost her mother during the civil war that continued until 2009 in her hometown, Jaffna.

These artists all lived and witnessed history being made and their artistic interpretations through unique experiences in Japanese society and interactions here were interwoven into their art production. Exhibiting these artworks and their practices widely again today will uncover diverse realities that are globally shared today.

Utilizing the space of three galleries, the exhibition embodies and observes through three keywords: "Urban Space" (TOMIO KOYAMA GALLERY), "Inhabitants" (ShugoArts) and "Imaginative Memory" (Taka Ishii Gallery), while each artwork from the different years come together in a space where cultural dialogues and its fruition in the current landscape of Tokyo through their eyes will be evoked.
We hope you enjoy a la carte of Tokyo served by 20 artists at the exhibition.
On this occasion, the exhibition is also offering guided tours and a small and limitedly published catalogue, comprising installation views from the past residency exhibitions and comments expressed by the people involved.



[ Exhibition Overview ]
"Tokyo A La Carte -The Backers Foundation and AIT Residence Programme (The Bar) Memories of 10 years"
Date: August 24th, Friday - September 1st, Saturday, 2018 *Closed on August 26th and 27th
Venues: TOMIO KOYAMA GALLERY / ShugoArts / Taka Ishii Gallery
6-5-24, complex665 2F/3F, Roppongi, Minato-ku, Tokyo
Hours: 11:00 - 19:00
Organized by Arts Initiative Tokyo
Co-organized by The Backers Foundation
Collaborated by TOMIO KOYAMA GALLERY / ShugoArts / Taka Ishii Gallery
Supported by Embassy of the Argentine Republic in Japan / Embassy of the Democratic Socialist Republic of Sri Lanka in Japan

Opening reception: August 24th, Friday, 18:00 - 20:00
Guided Tour: August 25th, Saturday, 15:00 - 16:00 and 31st, Friday, 16:00 - 17:00
*Free Admission / No booking required / Please meet at the entrance on the 2nd floor.




About the Backers Foundation
The Backers Foundation is a private group of patrons from the business world who first joined together in 1994 to provide support for the Japan Animal Welfare Society. Since then, the 64 members have funded a variety of organisations. They also participate in self-organised committees set up for a wide range of projects to which they volunteer their personal time under the motto of enjoying the good things.




Participating Artists

TOMIO KOYAMA GALLERY (2F) − Urban Space

Thiago Rocha Pitta (b.1980 Brazil)
Allegra Pacheco (b.1986 Costa Rica)
Pradeep Mishra (b.1977 India)
Rattana Vandy (b.1980 Cambodia)
Kanitha Tith (b.1987 Cambodia)
Miti Ruangkritya (b.1981 Thailand)


Left: Rattana Vandy Shadow in the Dark, 2015, Wood, nails, text, 92.5 x 182.5 x 5.5cm *2
Center: Pradeep Mishra Installation view from warmth of togetherness, 2010, Oil paint, canvas, 45.5 x 53cm /each *1
Right: Allegra Pacheco Installation view from Untitled, 2013, Ink on paper, 72.5 x 53cm *1
*1 Photo by Keizo Kioku | *2 Photo by Yukiko Koshima



ShugoArts (2F) − Inhabitants

Khadim Ali (b.1978 Afganistan)
Erika Verzutti (b.1971 Brazil)
Alberto Rodríguez Collía (b.1985 Guatemala)
Albert Samreth (b.1987 U.S.A.)
Krishnapriya Tharmakrishnar (b.1987 Sri Lanka)
Chaw Ei Thein (b.1969 Myanmar)


Left: Khadim Ali KOISANKA, 2007, DVD data *1
Center: Albert Samreth Perfect Strangers (Sou-Sou), 2014, Pigment on Sou-Sou Graphic Canvas, 91 x 73 cm *2
Right: Alberto Rodríguez Collía Non-place, 2013, 32 x 38cm/each, Drypoint, paper *Reference image *2
*1 Photo by Keizo Kioku | *2 Photo by Yukiko Koshima



Taka Ishii Gallery (3F) − Imaginative Memory

Mary-Elizabeth Yarbrough (b.1974 U.S.A.)
Donna Ong (b.1978 Singapore)
Florencia Rodríguez Giles (b.1978 Argentina)
Minam Apang (b.1980 India)
Syagini Ratnawulan (b.1979 Indonesia)
Duto Hardono (b.1985 Indonesia)
Gor Soudan (b.1983 Kenya)
Sarah Abu Abdallah (b.1990 Saudi Arabia)


Left: Syagini Ratnawulan Family portrait, 2011, 77 x 57cm, Technical pen drawing on paper *1
Center: Gor Soudan minimal tension 1/6, 2014, 36 x 36cm, Protest wire *2
Right: Duto Hardono Memory Spy (detail), 2011, Dimensions variable, Blank cassette tapes *2
*1 Photo by Keizo Kioku | *2 Photo by Yukiko Koshima


2018-7-12

Christoph Liedtke

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Christoph Liedtke
(b. 1985 in Saalfeld, lives and works in Halle, Germany)



In 2010 Christoph Liedtke finished an apprenticeship for wood sculpture and studied at the university of art and design Burg Giebichenstein until 2016. Since then he works as a painter, sculptor, poet and sound-performer. Since 2018 he is an original member of the artcollective Rhizom Halle-Leipzig and organizes several art events. He currently publishes a volume of poetry entitled "Symmetrie der Risse" (the symmetry of cracks) and works on an illustrated book together with mentally challenged people.
The artwork of Liedtke's is about the capability and possibility of humans perceiving reality as something beautiful, undefined, and undetermined. The central leitmotif of his artwork is an ontoligical questioning of what we perceive as form. This leads towards a relativization of the phenomenon and concept from which arises the subversive force of art.

He exhibited at numerous exhibitions, such as "2018 Talents" (Munich, 2017), "Graded Present" (Burg Gallery, Halle, 2017), New Aspects of Landscape Painting, (art-price Kreissparkasse Esslingen-Nürtingen, 2016), "Home in the Foreign" (Art Foundation Saxony-Anhalt, Halle, 2015)

Christoph Liedtke
Rhizom Halle-Leipzig






Residency: May 2 - June 30, 2018
Supported by ザクセン=アンハルト州芸術財団


Winterlandschaft (Winter landscape), Acrylic on canvas, 50 x 70 cm, 2014



Landschaft (Landscape), Acrylic and oil on canvas, 210 x 190 cm, 2016



"Graded Present" exhibition view, Burg Gallery, Halle (Saale), 2017



"Home in the Foreign" exhibition view, Art Foundation Saxony-Anhalt, Halle (Saale), 2015


2018-5- 2

Sara Ouhaddou

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Sara Ouhaddou
(b. 1986 in Paris, lives and works in Paris, France)




Born in France in a traditional Moroccan family and graduated from the École Olivier De Serres in Paris. Sara Ouhaddou's dual culture informs her practice as a continuous cultural and anthropological dialogue, questioning the transformations of her heritage. Ouhaddou strikes a balance between traditional Moroccan art forms and the conventions of contemporary art, aiming to place artistic creation's in forgotten cultural continuities into new perspectives.

She has exhibited at numerous group exhibitions extensively and art festivals such as "Islamic Art festival" (Sharja Art Museum, Sharjah, 2017), "Crafts Becomes Modern!", (Bauhaus Dessau Fondation, Germany, 2017), "Lettres ouvertes" (Institut des Cultures d'Islam, France, 2017-18), "Marrakech Biennale" (Morocco, 2016). Solo exhibitions include, "IMPRESSION//IMPRESSION" (Morocco, 2017) and "Wasalnalilio/On en set arrive là" (Polaris Gallery, France, 2017).

The award received include Arab Fund for Art and Culture grant and One Percent contemporary art NYC, Little Syria project. She has taken part in artist-residencies at L'appartement 22, Rabat, Morocco, Edge Of Arabia ISCP residency, New-York (2015) among others.

Website






Residency: January 15, 2018 - March 12, 2018
Supported by: The Agency of Cultural Affairs (Bunkacho)
Event: RADIO RABATOKYO Live Streaming
Date: Friday, March 2, 2018 / 18:30 - 19:30 (17:30 Door open)
Venue: SodaCCO


Stained glass Installation, 2017 / Photo by Marc Domage



Stained glass Installation, 2017 / Photo by Marc Domage



Ourika Road, White Clay, 2016 / Photo by Marwen Farhat


Green Titaween, Silk embroidery, 2013 / Photo by Rebecca Fanuele


Wassalna Lilo, woven cotton, Tanger, 2016 / Photo by Sara Ouhaddou

2018-1-23

Marina Višić

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Marina Višić
(b. 1987 in Roermond, works and lives in Tilburg, The Netherlands)




In 2016, Marina Višić obtained an MFA at the Slade School of Fine Art, London. At her degree show presentation, she received the Jeanne Szego prize for the imaginative use of colour. Her solo shows include "SPHERE. (AFTER A PAUSE)", (2016, Kers Gallery, Amsterdam) and "Myriade" (2013, Noordbrabants Museum, 's-Hertogenbosch). Her works are also exhibited in the group shows at The Crypt Gallery, London UK (2017), Kers Gallery, Amsterdam NL (2017), Anise Gallery, London UK (2016). Višić trained as an assistant curator at SEA Foundation, a non-profit artist project space and AiR (Artist-in-Residence program) in The Netherlands. She currently works independently as a curator and project manager, organising exhibitions, symposia and publications.
In her work, Višić investigates how a variety of textures and movements can be placed into the landscape of the moving image. The video pieces rethink the bodily experience and give the sensation of being lost and immersed. Staging is important as well as the scale of the images and their relation to the body. The work is presented as an object in a constant motion, rather than a time based video carrying a narrative. The initial objects and materials in the work undergo is a transformation. The real into the virtual and back to the real - portal - something mundane propelled into the stardom, becoming part of a fantastical realm, turning the virtual into the palpable.
The core of her residency at AIT is formed by architectural and geographical references from Junichiro Tanizaki's "In Praise of Shadows" and the films of Akira Kurosawa. These are the driving forces for her research of both modern and traditional elements of Japanese aesthetics concerning light, shadow, movement, materials and surfaces.

Website





Residency: January 10 - April 7, 2018
Co-organized by Mondriaan Fonds
Event: AIT ARTIST TALK #73 "Low Relief / Unreal Estate"
Artist Talk by Marina Višić and Ksenia Galiaeva from the Netherlands

Date: Tuesday, February 27, 2018
Time: 19:00 - 21:00 (18:30 Door open)
Venue: Daikanyama AIT Room


Oriel (2016), Video loop triptych on screens



Oriel (still image, 2016), Video loop triptych on screens



Penumbrae (2016), Video loop projection on reflector stand



Myriade (2013), Thread installation, 1100 x 250 cm


2018-1-11

Hans Andersson

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Hans Andersson
(b.1979 in Kalmar, lives and works in Stockholm)

Hans Andersson


 Hans Andersson works with abstract images and sculptural objects from found materials. His work is a continuous questioning of the materials, their heritage and their internal and external qualities and tension. His process is intuitive and nonlinear. The philosopher Simone Weil states that a subject acts through its non-actions. The subject acts, but it is no longer the will that is the foundation for its actions, it is, on the contrary, a sort of obedience. Art, and philosophy as a concept, should according to Weil be received in awaiting and treated with contemplation. Hans Andersson spend a great deal of time with his work. The procedure is both gentle and spontaneous.

 Neither his exhibitions nor artworks are given titles. This is a clue on how to perceive his practice. It shows a movement towards a non-language as an emancipation from identification with the self-narrative. To be able to see the familiar in the unfamiliar or to discover something new in what is already known.

 Andersson graduated from Konstfack - University College of Arts, Craft and Design in 2005. He has received several awards and grants such as Helge Ax: son Johnson Foundation and the Arts Grants Committee working grant. He has exhibited extensively in solo and group show such as "Swedish Art Now" (Sven Harrys Konstmuseum, Stockholm, Sweden, 2016), "Untitled" (Solo exhibition, Gallery Forsblom Helsinki, Finland, 2017) and Noco "If you don't like art.." (Vestfossen Kunstlaboratorium, Norway, 2017). His works are represented in several collections such as the Malmö Art Museum, Malmö and the Nordic Contemporary Art Colloection.

Website: Hans Andersson




Stay: September 5 - November 30, 2017
Co-organized by IASPIS
Talk Event: AIT ARTIST TALK #72
"History flows from all the presents"
Artist Talk by Hans Andersson from Sweden
Date: Tuesday, November 14, 2017
Time: 19:00-21:00 (18:30 Door open)
Venue: Daikanyama AIT Room


hans1
Untitled (mixed media on found paper, 34 x 26cm, 2017)

hans
Detail from untitled drawing (pen, whiteout and cut on found paper, 2017)

hans3
Installation view (Lars Bohman Gallery, Stockholm, 2015)

hans4
Installation view (Lars Bohman Gallery, Stockholm, 2015)

2017-9- 4