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AIT ARTIST TALK #70 "FUTURE BODY TALK"

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AIT ARTIST TALK #70
"FUTURE BODY TALK"
Artist Talk by Dutch artist Rory Pilgrim

Date: Friday, March 17, 2017
Time: 19:00-21:00 (18:30 Door open)
Venue: Daikanyama AIT Room

*All admissions with 1 drink / Booking required / Consecutive translation available


Top and bottom left: Sacred Repository N.3: THE OPEN SKY HD Film, 2016
Bottom right: Affection is the Best Protection Performance Land Art Live, Flevoland, NL 2015




AIT is pleased to host a talk by the current artist in residence from the Netherlands, Rory Pilgrim on Friday, March 17th. Rory Pilgrim is currently undertaking his residency in Japan from January to March in 2017 with AIT, with the support of The Mondriaan Fonds in the Netherlands.

Pilgrim will make a performative talk that will explore ideas of language, body and technology. In his work, Pilgrim is greatly inspired by the origins of Socially Engaged and Feminist art practice. At a time dominated by the proliferation of the Internet, Pilgrim's work has explored how people come together beyond the screen to voice themselves individually and collectively. Pilgrim composes music as a way to bring people together, enable action and create a collective experience.

Working with a variety of people in contexts including schools, churches, art fairs, public space and television, his work has focused on the need and failure of language to voice ourselves. The largest of his performance works included choreographing the re-opening of the Stedelijk Museum in which he collaborated with a group of teenagers to create an anthem and a series of speeches exploring how they as a generation would give a voice to the museum. From 2013-2016, Pilgrim created a film trilogy entitled 'Sacred Repositories' that focused on the need to find and reclaim words through intergenerational dialogue, as a means to explore how language can still have radical agency.

At the talk, Pilgrim will introduce examples of his work while interweaving a series of simple exercises that think about language and our relationship with the body. Pilgrim will also use these exercises to introduce his current research in Japan which will contribute towards his latest body of work entitled 'Erasure' that focuses on how the voice and body can be used as a site of action at a time of momentous global political change.

We hope that you can join us.


[OUTLINE]
Date and Time: Friday, March 17th 2017, 19:00-21:00 (18:30 Door open)
Venue:AIT Room Daikanyama (Twin Bldg. Daikanyama B-403, 30-8 Sarugaku-cho, Shibuya-ku) [MAP]
Capacity:20
Translation: Satoshi Ikeda
Organizer: Arts Initiative Tokyo, with the support from The Mondriaan Fonds




[ Booking ]
Please send an email with its subject line as "AIT ARTIST TALK #70" at otoiawase@a-i-t.net, including your name, contact phone number and the category of your admission. (Please input @ in normal-width)


[ Artist Profile ]

Rory Rory Pilgrim
(Born in 1988, Bristol, UK)

The work of British artist Rory Pilgrim is based on emancipatory concerns, in which personal and political questions are brought together to explore questions of time and connections between activism, spirituality, music and community. Strongly influenced by the origins of activist, feminist and socially engaged art, Pilgrim works in a wide range of media including live performance, film, text, workshops and musical composition. Pilgrim in particular composes music as a way to bring people together and explore how we use it to challenge, celebrate and voice ourselves.





2017-2-28

AIT ARTIST TALK #69 "Unknown Arts & Crafts"

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AIT ARTIST TALK #69
"Unknown Arts & Crafts"
Artist Talk by British artists, Eva Masterman and Jackson Sprague
followed by a discussion with Roger McDonald [AIT]
Date and Time: Friday, Feburary 17, 2017, 19:00-21:00 (18:30 Door open)
Venue: Daikanyama AIT Room




Left: Jackson Sprague, My hand on your eye, 2017, Plywood, acrylic, Coutesy of Breese Little
Right: Eva Masterman, Used, 2016, Ceramic, Steel, Kiln Props, trolley



Unknown Arts & Crafts: Eva Masterman & Jackson Sprague

AIT is very pleased to host two UK based artists in collaboration with Camden Arts Center. This collaboration has focused on the exchanges and dialogues between contemporary art practice and ceramics.
The wider issues which this residency explores are the ways in which art today is an expanded field incorporating many different fields and approaches. One of these has been a renewed interest in the field of craft, and its many implications concerning the hand-made, traditional materials such as clay and an array of historical references and figures which have usually been left out of art discourse.

The title of this talk indeed references two of these figures: the founder of the Japanese Mingei Movement Yanagi Soetsu and the title of his collected writings 'The Unknown Craftsman' (1972), which is also a fascinating point of dialogue between the English potter Bernard Leach and Japanese ideas about art and craft, and the Arts and Crafts Movement of John Ruskin and William Morris in the UK.
This unique historical dialogue is one of the reasons we wanted to create a collaborative residency with Camden focused on the arts and crafts dialogue today.

The two artists will each present a thirty minute slideshow about their works, followed by a discussion moderated by Roger McDonald from AIT about some of the wider issues surrounding art and craft, art and issues of use-value, domesticity, social function, the hand-made and ideas about presence and time, and the relevance of historical references.
These issues are also very much a part of the 2017 MAD curriculum and its Holistic perspective. Several lectures will focus on similar issues throughout 2017.

We hope that you can join us.

[Outline]
AIT ARTIST TALK #69
"Unknown Arts & Crafts"
- Artist Talk by British artists, Eva Masterman and Jackson Sprague
followed by a discussion with Roger McDonald [AIT]

Date and Time: 19:00-21:00, Friday, February 17, 2017 (18:30 Door open)
Venue: Daikanyama AIT Room
Capacity: 20 seats *Booking required
Admission: 1,000 yen (800 yen for MAD students, general students and AIT Base member / Free for AIT House and Support member) *All admission include 1 free drink.
Moderator: Roger McDonald [AIT]
Translation: Satoshi Ikeda
Organized by Arts Initiative Tokyo
*Agency for Cultural Affairs Government of Japan in the fiscal 2016

[Booking] Please send an email with its subject line as "AIT ARTIST TALK #69" at otoiawase@a-i-t.net, including your name, contact phone number and the category of your admission. (Please input @ in normal-width)


Eva Masterman
Eva Investigation into material and process led practices through cross-disciplinary workshops, seminars and writing, predicates Materman's art-work. This dual approach of direct research into the boundaries and preconceptions of the visual arts, coupled with her own artistic practice, allows Masterman to create a critical discourse that surrounds her own sculptural territory; one that sits firmly in the middle of the 'expanded field' of inter-disciplinary, material-specific making and fine art sculpture.


Eva Masterman's profile >>>

Jackson Sprague
Jackson Sprague's work plays-up tensions between aesthetic and functional, sculptural and pictorial, lasting and ephemeral: a room divider performs as a painting, a painting on the wall is also a plaster cast sculpture, painted cardboard appears to be ceramic. These ambiguities are characteristic of relationships, physical and psychical, Sprague's work tenderly exposes.


Jackson Sprague's profile >>>



2017-2- 2

AIT SLIDE TALK #34 Haizea Barcenilla

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AIT SLIDE TALK #34
"Can we curate commons?"
Curator talk by Haizea Barcenilla from Basque country, Spain

Date: Wednesday, December 21, 2016
Time: 19:00 - 21:00 (18:30 Door open)
Venue: Daikanyama AIT Room
Capacity: 30
※Booking required / Translation available



can we curate commons?
All photos from "Andrekale", courtesy of Señora Polaroiska


AIT is pleased to host SLIDE TALK #34 "Can we curate commons?" by Haizea Barcenilla, a current curator in residence on December 21, 2016. Barcenilla is staying to undertake her research in Japan until December 31 on a collaborative residency program initiated by AIT and TABAKALERA International Center for Contemporary Culture to exchange curators between Basque/Spain and Tokyo/Japan.

The talk will revolve around the idea of the public and the commons in relation to art practice and art curating which leads to her ongoing research developed as part of her residency at AIT. Her research consists to analyze the ideas of the public and the commons in Japan, especially in relation to the concept of performativity.
In the essay included in a book "Public Places in Asia Pacific Cities", academics have noted that the definition of space in Japan is marked by its use rather than its physicality. This would mean that publicness would be enacted temporarily while being created in certain spaces at specific moments.
At the presentation, Barcenilla particularly picks and introduces the project "Andrekale" produced and curated under "the New Patrons program", as an example of collaborative practice reflecting upon several themes chosen by participants such as urban space, history writing, gender and city empowerment.

Throughout the residency, Barcenilla asks; Can this performative idea be linked to the commons and understood as a social relationship around a resource or a knowledge? What is the role of art and of other cultural practices in the creation of these performative moments of publicness? During her talk, she shares with us some introductory ideas to develop these possibilities to expand further.


[Outline]
Date and Time: Wednesday, December 21, 19:00-21:00 (18:30 Door open)
Venue: Daikanyama AIT Room (Twin Bldg. Daikanyama B-403, 30-8 Sarugaku-cho, Shibuya-ku, Tokyo)
Admission: 1,000 JPY (800 JPY for students, MAD students and AIT Base members / Free for House and Support members) *All admission include one free drink
*Booking required / Translation available
Translation: Satoshi Ikeda
Organized by Arts Initiative Tokyo, TABAKALERA International Center for Contemporary Culture
Supported by BASQUE INSTITUTE ETXEPARE, ACCIÓN CULTURAL ESPAÑA(AC/E), EU JAPAN FEST
*Agency for Cultural Affairs Government of Japan in the fiscal 2016

[Booking]
Please send an email with its subject line as "AIT SLIDE TALK #34" at otoiawase@a-i-t.net, including your name, contact phone number and the category of your admission. (Please input @ in normal-width)

[Haizea Barcenilla]
Barcenilla is an art critic, curator and art history lecturer at the University of the Basque Country. Her research revolves around two axes of interest: on the one hand, the ideas of public and common, and how they can influence curatorial practice and artistic research; on the other one, the revisitation of history from a gender point of view.
She has written extensively on both topics, including a PhD about curating and the commons, and also curated and produced various artworks and exhibitions. The recent ones are framed in the New Patrons scheme, in which she helped develop and produce the publication Manual de Uso by artist Andrea Acosta about the Zorrozaurre neighborhood in Bilbao, and the video Andrekale by Señora Polaroiska, with the collaboration of Tabakalera, for the town of Hernani.
>>>Read more

2016-12-14

ARCUS + AIT Artist mini-talk

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ARCUS + AIT Artist Mini-Talk
'Peeled, Peel, Peeling'
Talk by artists from El Salvador, Malaysia, Korea and Sweden


Date: Sunday, November 27, 2016
Time: 16:30 - 18:00 *Talk begins at 16:30 followed by a gathering from 18:00
Venue: ARCUS Studio (2418, Itatoi, Moriya, Ibaraki)
Access: http://www.arcus-project.com/en/about/access.html
Organized by ARCUS Project, Arts Initiative Tokyo [AIT]
Supported by IASPIS
*Admission Free / No booking required / Consecutive translation available

arcus_ait


ARCUS Project and Arts Initiative Tokyo [AIT] are pleased to host a mini-talk on Sunday, November 27, 2016 starting from 16:30 at ARCUS Studio which is the base of ARCUS Project. The talk will invite three artists currently undertaking residencies at ARCUS Project, Ernesto Bautista from El Salvador, Gan Siong King from Malaysia, Yen Noh based in Austria and one artist, Jenny Yurshansky who is staying with AIT in its residency program, she is based in Sweden and the USA. This talk will be a closing event held in conjunction with open studios at ARCUS Project, it will be followed by a gathering with the artists.

Ernesto Bautista works on sculpture, installation and video works and he is deeply conscious of the violence, death and war around him and feels compelled to investigate the essential meaning of human existence and life. Gan Siong King values a sense of "play" in his works and explores such theme as laughter, humor and joy. The works, however, are not so much sensuous but conceptual and they investigate primeval painting compositions. Yen Noh takes language and translation as her themes in producing installation and speech-performance, two of which relevantly face each other in a space. She examines misreadings and misunderstandings that impacted on modernization. The process of their artistic practices and research will be showcased and shared with audience during their open studios which begins on Friday, November 11. Jenny Yurshansky conducts detailed research on the origins and social histories of various invasive plants, connecting botanical and cultural landscapes. She works mainly with sculpture and installation. Her artistic practice explores the empiric and its tension with the poetic.

Although these four artists deal with various concepts and work on different mediums, their expressions all induce strong interest and perspective on the society we live in. It is as if their practices carefully "peel off" various layers of our society and those actions embed accumulation of time from the past, present and future. This mini-talk will reveal more about their practices, research and how they are experiencing each residency in Japan. It will invite us to look our daily lives differently through their unique way of depicting the world. The coordinators, both from ARCUS Project and AIT, will also join and everyone is welcome to meet the artists for further discussion.



ARCUS + AIT Artist Mini-Talk
'Peeled, Peel, Peeling'
Talk by artists from El Salvador, Malaysia, Korea and Sweden


Date: Sunday, November 27, 2016
Time: 16:30 - 18:00 *Talk begins at 16:30 followed by a gathering from 18:00
Venue: ARCUS Studio (2418, Itatoi, Moriya, Ibaraki)
Access: http://www.arcus-project.com/en/about/access.html
Organized by ARCUS Project, Arts Initiative Tokyo [AIT]
Supported by IASPIS
*Admission Free / No booking required / Consecutive translation available

2016-11- 1

AIT ARTIST TALK #68 "From the History of Battle to Reconciliation and Love"

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AIT ARTIST TALK #68: "From the History of Battle to Reconciliation and Love"
Artist Talk by Chaw Ei Thein (Myanmay/Burma) and Krishnapriya Tharmakrishna (Sri Lanka)
Date and Time: Wednesday, July 13 2016, 19:00-21:00



Arts Initiative Tokyo [AIT] is pleased to present AIT ARTIST TALK #68 by two women artists Chaw Ei Thien (Myanmar/Burma) and Krishnapriya Tharmakrishnar (Sri Lanka) who are currently in Tokyo through the residency programme with the support of The Backers Foundation and AIT.

This artist talk is organised in conjunction with the exhibition, "Healing and Loving", which will be on view from July 9 to 23 at YAMAMOTO GENDAI.


Chaw Ei Thein (b. 1969)
(Image left: Chaw Ei Thein)
has been a prominent artist for many years working in Myanmar, also known as Burma, creating paintings, sculptures and provocative public performances which comment on the situation of women's experiences and a situation of brutal oppression and dictatorship. Since her residency to New York supported by Asian Cultural Council in 2009, Chaw Ei Thein is currently in exile and based in New York and was unable to return to her country until the recent democratic elections in Myanmar/Burma.

Krishnapriya Tharmakrishnar (b. 1987)
(Image: Impression 2-1, 2015, Nail drawing on tracing paper)
is an emerging artist lives and works in the northern Sri Lankan city of Jaffna, Sri Lanka, which experienced fierce fighting during the civil war from the early 1980s. The loss of family members and home forms a powerful ground for her works which largely take the form of paper based drawings and prints. Many dots and lines outline her individuality and identity from particular times of her life such as childhood, emphasizing an inner-heart empathy. "Healing and Loving" exhibition in Tokyo will be the first time showcasing her previous works in addition to the recent works she produces during this residency period.

Both Myanmar/Burma and Sri Lanka have brutal history of battles in the past and these two artists have experienced them directly in their youth. At this artist talk, their stories behind the works will be shared with us and tell how these women artists see their countries after all these years with dramatic changes in the political landscape and take them into their artistic practices.

We hope that you can join us for the artist talk and "Healing and Loving" exhibition at YAMAMOTO GENDAI.


[ Outline ]
Date and Time: Wednesday, July 13 2016, 19:00 - 21:00 (18:30 Door Open)
Venue: AIT Room Daikanyama (Twin Bldg. Daikanyama B-403, 30-8 Sarugaku-cho, Shibuya-ku)
Moderator / Translator: Roger McDonald
Capacity: 20 *Booking Required
Admission: JPY1000: General / JPY800: 'Base Members' and Students / Free: 'House Members' and 'Support Members'
Others: 1 free drink / This talk will be in English with consecutive translation.
Organized by: Arts Initiative Tokyo [AIT]
Co-Organized by: The Backers Foundation

[ Reservation ]
To book your seat, please send an email with its subject as "AIT ARTIST TALK #68" to otoiawase@a-i-t.net, including your name, and contact.

2016-6-15

Exhibition "Non-self" by Rosa Doornenbal


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"Non-self"
The exhibition by Rosa Doornenbal
Date: March 26 (Sat) - 31 (Thu) 12:00 - 19:00
*Open daily / Admission Free
Opening Reception: March 26 (Sat), 18:00 - 20:30 *19:00 - Performance Lecture by the artist
Venue: Higure 17-15 cas (Tokyo)
Organizer: Arts Initiative Tokyo, with support from The Mondriaan Fonds Foundation, and with cooperation from the Embassy of the Kingdom of the Netherlands in Tokyo.

Left: Shapes of my Pinkish Purity / 2016 / Collages, fabric, ceramic, 410 mm × 620 mm
Right: Calming Balming / 2016 / Single channel video (color, sound)





Non-self

AIT is pleased to host the exhibition, "Non-self" by Rosa Doornenbal. The exhibition opens on Saturday March 26 through Thursday March 31 at Higure 17-15 cas in Tokyo. Doonenbal is from Amsterdam, The Netherlands and currently staying in Tokyo as an artist-in-residence with AIT.


If a tearoom can contain the universe, how can the tea bowl create emptiness?

In the history of the Japanese Tea Ceremony its specific aesthetic language got more and more defined, while at the same time, the ceremony still functions as a moment to escape reality and focus on the very moment of making and drinking tea. After leaving your worldly desires behind you, you will enter a spiritual realm and hopefully transcend the 'self'. Though, walking through the streets of a present-day urban landscape, another reality checks in. A contemporary pop culture with its own conceptions of beauty; where girls will always be young and eyes are excessively big.

'Non-self' is a visual exploration of the aesthetic ideologies of two contradicting but yet very explicit visual cultures. It tries to grasp their spiritual and signifying fundamental.

- Rosa Doornenbal



In Doornenbal's interdisciplinary practice, she investigates how formal, cultural and social aspects influence the appreciation of, and identification with objects in everyday life. The parallel of this in the art world - the viewer's experience of sculpture - is central in her work.





[Outline]
"Non-self"
The exhibition by Rosa Doornenbal
Date: March 26 (Sat) - 31 (Thurs) 12:00 - 19:00 *Open daily / Admission Free
Opening Reception: March 26 (Sat), 18:00 - 20:30 *19:00〜 Performance Lecture by the artist
Venue: Higure 17-15 cas / 3-17-15, Nishi Nippori, Arakawa, Tokyo [Google Map]
Organizer: Arts Initiative Tokyo, with support from The Mondriaan Fonds Foundation, and with cooperation from the Embassy of the Kingdom of the Netherlands in Tokyo.



[Rosa Doornenbal]
Doornenbal1 Doornenbal works in a variety of media creating detailed circumstances that reveal the interrelationship between viewer, object, equipment, tool and sculpture. With a critical and playful attitude she often treats the exhibition space, with its already formulated codes of behavior, as part of her work. In her most recent works the process of creation becomes a subject as she explores issues of craftsmanship and what artisthood could mean today. She obtained her BA of Fine Arts at the Gerrit Rietveld Academy in Amsterdam in 2013. She also has a background in Cultural Studies of which she obtained her BA at the University of Amsterdam in 2012.
Blog: "wabi-bijin"


2016-3- 9

【 Thai Art Night: Finding Ways Through 】

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【 Thai Art Night: Finding Ways Through 】
Recent Issues in Thai Contemporary Art
With Artists, Curator and Writer from Bangkok and Chiang Mai

Date: March 12 (Sat), 2016 / 17:00-20:00
Venue: GRAIN / 5-25-1, Jingumae, Shibuya-ku, Tokyo
Capacity: 20 *Booking required
Admission: Free (excl. food/drink)




AIT is pleased to welcome Thai artist Atikom Mukdaprakorn, curator Penwadee Nophaket Manont, writer Judha Su and artist Takuro Kotaka who stayed in Thailand on a residency program in 2014. Held at GRAIN in Harajuku, the talk will take place on March 12. Mukdaprakorn and Manont are currently AIT Artists/Curators in Residence, staying in Tokyo until the end of March.
In recent years there have been many instances of younger artists and curators creating new alternative art spaces and initiatives in Bangkok and Chiang Mai. These kinds of movements are different from more formal university art schools as well as institutional museums and galleries and Western trends.
In addition to this we see an ongoing tense and unstable political situation in Thailand around street demonstrations and coup d'etat, which feed into the artistic culture and its context. With limited public funding, these artists and workers are actively looking for alternative networks and possibilities for practice.
For this talk we will hear presentations from each of the invited speakers, outlining their work as well as prospects for art in Thailand and tips for surviving in this situation.
This is a rare opportunity for emerging Thai artists to gather and share thoughts in Japan. We will also serve food and drinks from a chef Momoko's kitchen. We look forward very much to seeing you at GRAIN.








【Outline】
Date: March 12 (Sat), 2016 / 17:00-20:00
Venue: GRAIN / 5-25-1, Jingumae, Shibuya-ku, Tokyo
Capacity: 20 *Booking required
Admission: Free (excl. food/drink)
*Talk will be in English with consecutive Japanese translation
Moderator: Naoko Horiuchi[AIT]
Translator: Satoshi Ikeda
Organized by: Arts Initiative Tokyo[AIT]
Supported by: Agency for Cultural Affairs Government of Japan in the fiscal 2015

【Booking】
Please send an email with its subject as "Thai Art Night" to otoiawase@a-i-t.net, including your name, and contact.

【Program】
17:00 Door Open
17:30-18:00 Talk by Penwadee Nophaket Manont (Curator)
18:00-18:30 Atikom Mukdaprakorn (Artist)
Break
18:45-19:15 Judha Su (Art Writer)
19:15-19:45 Takuro Kotaka (Artist)
19:45 Discussion / Q&A
20:00 End



【Speakers】
Atikom Mukdaprakorn (Born in 1981, Bangkok, Thailand)

Co-founder of mute mute, which emphasizes mutual discussion about society in order to expand the boundary of perception through art, cultural performances and social activities in different forms. He is personally interested in media/art culture, especially domestic photography, freedom of expression and the state of art in Thailand. These form the basis for many of the conditions used in his media/art performances. Currently, he has been collaborating on the project "Chiang Mai Art Conversation" which originated in Chiang Mai. The purpose of the project is to facilitate a connection of art with discussion and Thai society to gain greater knowledge through all kinds of management and media.

Penwadee Nophaket Manont
(Born in 1973, California, lives and works in Bangkok, Thailand)

Her curatorial projects include the Mekong Art & Culture Project: Curatorial and Traveling Exhibition (2007-2008), supported by Rockefeller Foundation and Silpakorn University, where she was one of the four Southeast Asian Art Curators for the Underlying exhibition, from Laos, Vietnam, Cambodia and Thailand. She also co-curated Poperomia/Golden Teardrop (2013), an exhibition at the 55th International Art Exhibition - la Biennale di Venezia, Italy. At the end of 2013, Penwadee founded ANTs' POWER Art & Cultural Group, who are active on Human Rights and Democracy related issues.

Judha Su (Art Writer, lives and works in Bangkok, Thailand)

Judha dances around the ideas of art and its intersection with other disciplines. Her current research project titled: Thinking in Critical Constellations, funded by Asia Centre Japan Foundation.

Takuro Kotaka (Born in 1984, lives and works in Tokyo, Japan)

"Traveling Africa with a Potato" / 2010 / Video
Kotaka is a cross-disciplinary artist whose work references the everyday experiences of the people he encounters whilst traveling. His journeys to Indonesia, Thailand, Africa and other parts of the world have resulted in video works and performances that address issues of cross-cultural communication, otherness, history, rumours, and narrative.
In Chiang Mai, Kotaka produced the new video work How to Transform into Na Neck. He found the access point to integrate his relationship with society by imitation well-known Thai comedian Na Neck after Chiang Mai natives told him that he resembled the comic.

2016-2-22

Exhibition "Karaoke at Le Moulin de la Galette"


>>> Japanese

"Karaoke at Le Moulin de la Galette"
The Revival of the Lost Exhibition by Thai Artivists curated by Atikom Mukdaprakorn


yebizo8_kom_maskparty_615pxPhoto by Atikom Mukdaprakorn (Reference image for the exhibition)

Date: February 12 (Fri) - 20 (Sat), 2016
Time: 11:00-19:00
Venue: AIT Room Daikanyama [MAP]
*Admission free / Closed on Sunday
Reception: 12 (Fri), 19:00 - 21:00 / Artist Talk from 19:30 -

AIT is pleased to host the exhibition, "Karaoke at Le Moulin de la Galette" The Revival of the Lost Exhibition by Thai Artivists curated by Atikom Mukdaprakorn.
The exhibition is held as a partnership event of The Yebisu International Festival for Art & Alternative Visions 2016. This year's main theme of the festival is "Garden in Movement", and runs from Feb 11 to 20 at several venues in Ebisu area.
>>> Website

2016-1-22

MAD WORLD with NODE : One day workshop and seminar by Perla Montelongo

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MAD WORLD
Global Art Perspectives from Tokyo


MAD WORLD with NODE
One day workshop and seminar by Perla Montelongo
Seminar: 'Art thinking: an insight on the thinking processes of artists'
Workshop: Institute for Terranautical Exploration: Fictional uses of art

Date and Time: Saturday December 12th, 2015 13:00 - 16:30
Venue: BankART1929 2F(Yokohama, Japan) *Booking required

MADwithNode
Node Innovators Program 2015, Image courtesy of Node Center.




AIT is pleased to host Berlin based curator and founder-Director of NODE Center for Curatorial Studies, Perla Montelongo for a one day workshop. As part of our new MAD World series which aims to connect international art professionals to Tokyo through English language lectures and workshops, Perla will lead a unique workshop exploring the nature and possibilities of artistic creativity and inspiration.

The workshop will be held at the exhibition of the "Nissan Art Award 2015: Exhibition of New Works by the 7 Finalists" in BankART, Yokohama, with Perla leading participants through the exhibition and art works as a basis for the workshop. The event will be aimed at an introductory level and held in English.

[OUTLINE]
Date : Saturday December 12th, 2015
Time: 13:00 - 16:30
Venue: BankART1929 2F(3-9 Kaigan-dori, Naka-ku, Yokohama 231-0002) [MAP]
Organized by: Arts Initiative Tokyo [AIT]
Lecturer: Perla Montelongo (Director of NODE)
Capacity:15 persons *Booking required
Admission: [Special Price] JPY4,500, Student/Base member JPY4,000
Other details: Admission includes a cup of tea and snacks
*The seminar and workshop will be in English only


[Curriculum Details]
13:00 - 14:00: 'Art thinking: an insight on the thinking processes of artists'
Modality: Seminar

What is the process that artists use prior to creating a work? Do artist think or see differently? Thinking divergently, questioning the everyday and using intuition are some common processes that artists consciously or unconsciously use as part of their creative activity. Can this way of thinking be applied to other disciplines and everyday life?

Node Center for Curatorial Studies - Berlin created a two-month program that gathered a group of 7 'innovators' from fields of art, education, neuroscience, physics and psychology to create a tool to strengthen ways of thinking divergently based on the thinking processes of artists.

As a first stage, we began researching texts on creative thinking and perception, particularly from the fields of neuroscience and psychology. In addition, we interviewed artists in order to find out commonalities in how they think. We also made an open-call survey to see whether there was a difference in thinking between artists and non-artists.

From this first mapping, we found four key components of the way that artists think that could be useful in other fields, specifically in education:

- Seeing - using multiple perspectives and ways of seeing the world
- Feeling - using intuition and trusting the senses
- Detouring - using abstract, non-linear ways of thinking
- Doing - an impulse to do and build regardless of its use or logic

With these components in mind, we created rough prototypes that were designed to train them: an app, a workshop and an online platform for teachers that heightens intuition, lateral thinking and engages the senses. These prototypes were developed and refined during the program and are still in development while we gain feedback from the actual users and testers.
In this seminar we will share the results, weaknesses and working methodology of the Node Innovators' Program.

MADwithNodeMADwithNode
L:Design thinking workshop at Node Innovator's Program, 2015. Image courtesy of Sabine De Schutter.
R:Node Innovators Program 2015, Image courtesy of Node Center.



14:30 - 16:30: Institute for Terranautical Exploration: Fictional uses of art
Modality: workshop and fun!

A workshop on art interpretation aiming to discover possible uses of art and artworks. In this workshop we will immerse ourselves into a fictional future where no knowledge of art exists. In this fictional future, the "Institute for Terranautical Exploration" is in charge to discover what kind of purposes, uses or information do strange objects (artworks) carry with them.

The aim of the workshop is to put aside our preconceptions of art in order to analyze artworks from an unfamiliar and fresh perspective, discovering what kind of uses, purpose or information can art have besides the known ones.


MADwithNode
'Game Design in Artistic Research', workshop by Viktor Bedö and Perla Montelongo.
Photo courtesy of Aalborg University



[Reservation]
Send an email with its subject as "MAD WORLD with NODE" to mad@a-i-t.net, including your name, and contact.


[ About Perla Montelongo ]

Perla is Director of Node Center for Curatorial Studies, her main focus is on designing alternative learning strategies from and for contemporary art. In 2010, she co-founded Node Center, establishing it as a place for teaching researching, and experimenting with subjects related to curatorial studies and contemporary art practices. Perla develops and defines Node Center's structure which has included the Collaborative Curatorial Residencies, Online Educational Platform and now the Innovators Program.
www.nodecenter.org


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2015-11-11

AIT SLIDE TALK #33 Jenni Lomax

>>>Japanese

AIT SLIDE TALK #33
The Artist in Education and the Place of Education in Residencies:
A Talk by Jenni Lomax, Director of Camden Arts Centre, London.
Date and Time: Wednesday, November 25th, 19:00-21:00
Venue: AIT Room, Daikanyama *The talk will be held in English only.

Slidetalk33
Left:Camden Arts Centre building Right:Outside space inside the art centre

AIT is honored to host a short talk by Jenni Lomax, long time Director of CAC in London, who will be in Japan as a jury member for The Nissan Art Award 2015. AIT has had the pleasure to collaborate with CAC since September 2014, hosting the CAC exhibition organizer Gina Buenfeld in Tokyo as well as Jesse Wine and Caroline Achaintre. Although AIT and CAC share very different histories and contexts, the two arts organizations do share a strong commitment towards the place and relevance of education, in multiple senses, for the arts and within artist in residency programs.

CAC has organized pioneering residency programs for artists where they also engage with learning and education within the centere's community and beyond. What role can the artist play in education, and how can learning be an integral aspect of residency programs? As the dynamics of global art and ideas of what a commons means changes in the C21st, it seems pertinent to ask these questions now. Jenni will speak on these topics from her extensive experience for about one hour, and an informal Q&A session will follow. Drinks will be served.

[OUTLINE]
Date: November 25 Wed, 19:00 - 21:00
Organized by: Arts Initiative Tokyo [AIT]
Venue: AIT Room Daikanyama (B403 Twin bldg.Daikanyama, 30-8 Sarugakucho, Shibuya, Tokyo)
Capacity: 30 *Booking required
Admission: JPY1000 (JPY800 for Students and AIT Base Members / Free for AIT House and Support Members)
Other details: Admission includes one free drink
*Talk will be in English only

[ Reservation ]
Send an email with its subject as "AIT SLIDE TALK #33" to otoiawase@a-i-t.net, including your name, and contact.


JenniLomax
Jenni Lomax
Director, Camden Arts Centre (London, UK)

Jenni Lomax has been the director of Camden Arts Centre, London, since 1990, where she has established a forward thinking programme of international exhibitions, artists, residencies and education projects, all of which have artists and their ideas at the core. She led the organisation through a major building refurbishment scheme which was completed in early 2004. She was awarded the Chevalier dans l'ordre des Arts et des Lettres in 2007, and received an OBE for her services to the Visual Arts in 2009. Before Camden Arts Centre, Jenni developed and headed up the Community Education and Public Programmes at the Whitechapel Art Gallery throughout the 1980's. Throughout her career she has been involved in an advisory capacity with many arts, education and charitable organisations and has been a member of selection and judging panels for numerous awards and exhibitions including The Turner Prize, Arts Foundation Award and the Jerwood Drawing Prize.

2015-11-10